Don't forget about this wonderful opportunity to work with one of the greatest paste paper artists in the country.
The reigning goddess of paste paper, Larry Lou Foster, will share her   remarkable skills in this two day workshop organized by The Southeast   Guild of Book Workers. Participants will design and create a series of   high-end, luxurious paste papers. Larry Lou will share her research on   how to create rich and intense colors, textures and designs. She will   also demonstrate how jigs and printmaking methods can be used to make   editioned paste papers. Paste paper is a method of making archival   patterned decorative paper for bookbinding, first developed in the 17th   century by German nuns.
Saturday, October 29, 9 a.m. to 5 p.m.
Sunday, October 30, 10 a.m. to 3 p.m.
At Woods Halls, University of Alabama, Tuscaloosa.
$80 for guild members/students
$90 general public
Enrollment is limited to 13.
Larry  Lou Foster is foremost American craftsperson in the design and   creation of paste paper. She has taught workshops at Asheville   Bookworks, Pensacola Junior College, N.Y. Center for the Book,   Jacksonville State and currently teaches bookbinding at Pensacola State   College. She makes paste papers, books, and drawings at “The House with   Blue Shutter” in Pensacola, FL. Larry Lou Foster holds a BFA from  Auburn  University in Art/Painting, MFA from George Washington  University in  Art/Design and a MFA from The University of Alabama in  Book  Arts/Bookbinding. Her research in paste papers was recently  published in  a limited edition book from SpeakEasy Press entitled The  Paste Papers  of Larry Lou Foster.
How to register for the workshop:
Email jessica@papersouvenir.com   with your name, address and telephone number. Then, mail a check for   the full tuition made out to The Guild of Book Workers to Jessica   Peterson, PO BOX 132, Gordo, Alabama. Your space in the class is only   guaranteed upon receipt of full payment, and is on a first come, first   serve basis.
Co-sponsored by The Southeast Guild of Book Workers and the printmaking department at the University of Alabama
Monday, October 17, 2011
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